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What I print and why

Although I’ve often fought art having to have a meaning, we create for a reason. My work embodies two streams, both interconnected. The first being landscapes and nature in which I lose myself, quite literally forgetting about meaning and living in the beauty of the moment.

The second stream is an emotional response to the threat nature faces from climate change and government policy.

These come together in my printmaking, combining layers with  colour and mark making. I particularly find myself drawn (and drawing) trees. As a child I carried the Dawling Kinsley book of trees around everywhere, I was fascinated to the point of obsessed. As an adult, I carry a sketchbook and camera around capturing trees everywhere, still fascinated and still obsessed.

It’s perhaps the ability of trees to stand solid, adapt to change and yet retain their beauty, whatever is thrown at them, that fascinates me. They are dependable, yet adaptable. What humans seem to aspire to yet often fail at.

Each one has its own character like us, yet their needs are so much simpler. And somehow we connect with them. From the cool shade a woodland offers in the summer heat, to familiar figures that become a comfort in our immediate landscape, be it a garden, street or somewhere we spend time.

When a tree dies, or is cut down, I notice the hole in that landscape. Often it is subconscious to begin with but I come to realise what’s different. I am saddened, mourning the tree and the comfort it brought me through familiarity. Sycamore Gap, the Darwin Oak, the oak at Enfield common, are all examples of an angered and saddened response felt collectively.

The anger I feel in response to reducing protections for trees and nature has become a key influence in my art and is driving me further to capture their beauty. Before it’s too late. To give them (and our connection to them) a voice. To find landscapes where there is minimal human disturbance and where I can lose myself in the moment to escape the everyday and the emotions stirred by the threats to nature.

Galleries

ArtWorks 2 Celf - Betws-y-Coed

Church Street Gallery - Saffron Walden 

Exhibitions

2025

2025 Print Competition - Ironbridge Printworks 

Mini Print Competition - Southbank Printmakers 

Artist's Marquee - Burwash Manor 

Cambridge Plein Air Artist of the Year Winners Exhibition - Modo Gallery, Cambridge 

2024

Mini Print Competition - Southbank Printmakers 

Artist's Marquee - Cambridge Country Club 

Artist's Marquee - Burwash Manor 

Suffolk Open Studios - Old Goods Shed, Clare 

Solo show  - Huntingdon Art Gallery

2023 

Mill Road Winter Fair - Cambridge 

Art Unequalled - Ely

Woolwich Contemporary Print Fair - Woolwich 

Small but Mighty - Royal Society of Painters and Printmakers, Southbank

Mini Print Competition - Southbank Printmakers 

Suffolk Open Studios - Old Goods Shed, Clare

Wild Earth - Tremenheere Scultpture Gardens, Penzance 

Curwen Members Exhibition 

Metamorphis Gallery, Wells-next-the-Sea

Newlyn Professional Landscape Exhibition - Chapel House, Penzance

 

2022

Art Unequalled - Ely 

Mini Print Competition - Southbank Printmakers

2021

Mini Print Competition - Southbank Printmakers

Childhood Memory and Imagination - Tant Theatre, Llanrhaeadr

Printmakers Interrupted - Curwen Print Study Centre 

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Get in touch 

Please contact me if you have questions or queries about any of the work on this site, her practice or if you'd like to commission a print or painting. 

Thanks for submitting!

Roz Howling Fine Art

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© 2025 Roz Howling

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