
What I print and why
Although I’ve often fought art having to have a meaning, we create for a reason. My work embodies two streams, both interconnected. The first being landscapes and nature in which I lose myself, quite literally forgetting about meaning and living in the beauty of the moment.
The second stream is an emotional response to the threat nature faces from climate change and government policy.
These come together in my printmaking, combining layers with colour and mark making. I particularly find myself drawn (and drawing) trees. As a child I carried the Dawling Kinsley book of trees around everywhere, I was fascinated to the point of obsessed. As an adult, I carry a sketchbook and camera around capturing trees everywhere, still fascinated and still obsessed.
It’s perhaps the ability of trees to stand solid, adapt to change and yet retain their beauty, whatever is thrown at them, that fascinates me. They are dependable, yet adaptable. What humans seem to aspire to yet often fail at.
Each one has its own character like us, yet their needs are so much simpler. And somehow we connect with them. From the cool shade a woodland offers in the summer heat, to familiar figures that become a comfort in our immediate landscape, be it a garden, street or somewhere we spend time.
When a tree dies, or is cut down, I notice the hole in that landscape. Often it is subconscious to begin with but I come to realise what’s different. I am saddened, mourning the tree and the comfort it brought me through familiarity. Sycamore Gap, the Darwin Oak, the oak at Enfield common, are all examples of an angered and saddened response felt collectively.
The anger I feel in response to reducing protections for trees and nature has become a key influence in my art and is driving me further to capture their beauty. Before it’s too late. To give them (and our connection to them) a voice. To find landscapes where there is minimal human disturbance and where I can lose myself in the moment to escape the everyday and the emotions stirred by the threats to nature.
Galleries
ArtWorks 2 Celf - Betws-y-Coed
Church Street Gallery - Saffron Walden
Exhibitions
2025
2025 Print Competition - Ironbridge Printworks
Mini Print Competition - Southbank Printmakers
Artist's Marquee - Burwash Manor
Cambridge Plein Air Artist of the Year Winners Exhibition - Modo Gallery, Cambridge
2024
Mini Print Competition - Southbank Printmakers
Artist's Marquee - Cambridge Country Club
Artist's Marquee - Burwash Manor
Suffolk Open Studios - Old Goods Shed, Clare
Solo show - Huntingdon Art Gallery
2023
Mill Road Winter Fair - Cambridge
Art Unequalled - Ely
Woolwich Contemporary Print Fair - Woolwich
Small but Mighty - Royal Society of Painters and Printmakers, Southbank
Mini Print Competition - Southbank Printmakers
Suffolk Open Studios - Old Goods Shed, Clare
Wild Earth - Tremenheere Scultpture Gardens, Penzance
Curwen Members Exhibition
Metamorphis Gallery, Wells-next-the-Sea
Newlyn Professional Landscape Exhibition - Chapel House, Penzance
2022
Art Unequalled - Ely
Mini Print Competition - Southbank Printmakers
2021
Mini Print Competition - Southbank Printmakers
Childhood Memory and Imagination - Tant Theatre, Llanrhaeadr
Printmakers Interrupted - Curwen Print Study Centre

Get in touch
Please contact me if you have questions or queries about any of the work on this site, her practice or if you'd like to commission a print or painting.
