Methods of working

I use sketches and photographs to inform MY work. These sketches will either be created at the location 'in plein air' or developed back in the studio from a photograph.​​

When printing, I usually draw the image straight onto the lino block and plan each stage after printing the preceding colour.

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Print techniques I use

 

I am always experimenting but the key techniques in my practice are: 

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Reduction lino prints - reduction lino prints involve using one block and printing multiple colour layers, starting with the lightest. With each layer, more detail is cut away from the block to build up the details in the image (see the image in the header to see how the different layers are built up to create the image). In some instances, I might use two - three colours on a layer to reduce the number of passes through a press.

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Monoprint - a monoprint is a painting on a surface (typically a screen or Perspex) which is then transferred to paper by passing it through a press or screen. The key is that the painting is applied to a surface and transferred to paper. 

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Solarplate/ photo lithography etching - this process enables the artist to take any black and white photograph or artwork and use UV light to etch the image onto a specifically manufactured solar or photo lithography plate. Areas of black or tone in the image are transferred on to the plate, which is inked up in the intaglio technique and printed using a press. 

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Resources 

I often use the facilities at the Curwen Print Study Centre, which runs a number of beginner, short, long and advanced courses in a range of print techniques. I completed the Certificate in Professional Printmaking there in 2021. To find out more, click here. 

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I also read a number of books to extend my knowledge and practise. I am always happy to send you a list on request. 

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